Will Taylor Swift’s 11th studio album “The Tortured Poet’s Department” usher in a new era of poetry appreciation?
Delaney Atkins, a part-time instructor at Austin Peay State University who teaches a class exploring Swift’s music's connection to Romanticism, hopes this album will help people realize the power of poetry as “one of the purest forms of human expression.”
“Poetry is not a scary thing,” she says. “If it’s something that (Swift) reads and leans into, I’m hopeful that other people will take it as an opportunity to do the same and not be afraid of feeling like they aren’t smart enough or it’s not accessible enough.”
Ever heard the saying “the best writers are readers”? The first step to writing a poem is figuring out what you like about poetry.
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Is it imagery? Format? Rhyme? Start by sampling a few poets. Maya Angelou, William Wordsworth, Frank O’Hara, Sylvia Plath and Amanda Gorman are among the greats. Look to your favorite songwriters and ask yourself, "What do I admire about their craft?" Atkins also recommends looking for a poem about a subject you're passionate about.
“I promise you, there’s a poem for everyone,” she says.
Next, decide what you want to write about. Simple as it sounds, this can often be the hardest step for writers. What do you want to say?
Finally, decide how you’re going to write it.
Atkins recommends starting with metaphors and similes, which Swift often employs. Some metaphors are more obvious, like in “Red,” when she sings “Losing him was blue, like I’d never known/Missing him was dark gray, all alone.” She uses a simile when she says “Loving him was like driving a new Maserati down a dead-end street.”
If you’re writing about a relationship, ask yourself what it felt like. “This relationship feels like … a burning bridge,” is Atkins's example. You can stick to a single line or make it an extended metaphor with an entire poem about that bridge.
Use imagery, or visually descriptive language, to help tell the story. Look around the room and describe the setting using lofty prose or personify the objects around you. Or create a character and tell their story – think of Swift’s love triangle in the “Betty,” “Cardigan” and “August” trilogy or “No Body, No Crime,” in which she slips into the skin of a vengeance-seeking best friend.
While many of Swift's songs rhyme, it’s not required in poetry.
“There are no rules and that’s a good thing, it’s a freeing thing,” Atkins says. “Take that and run with it – be as creative as possible.”
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In Atkins’ class, Swift's 10 previous albums are on the syllabus. Some connections to poetry are more overt, like Swift’s reference to English poet William Wordsworth in “The Lakes.”
But Atkins also teaches the motifs and literary devices that Swift uses throughout her discography, like the repetition of rain. In “Fearless” Swift alludes to naively running and dancing in the rain. Later in “Clean” from “1989,” rain is a baptismal metaphor for washing away the addiction of a past relationship. On “Peace,” off of “Folklore,” Swift sings about rain as a manifestation of her anxieties.
She uses the extended metaphor of death and dying in several songs. Atkins points to “dying in secret” in 2009’s “Cold As You” as representative of shame (“And I know you wouldn’t have told nobody if I died, died for you”). In 2020’s “peace” death is a symbol of unconditional love (“All these people think love’s for show/But I would die for you in secret”). She also repeatedly references her death throughout “My Tears Ricochet” – “And if I’m dead to you, why are you at the wake?”
Want to become a “Tortured Poet” yourself? Here are some prompts to kickstart your poetry era.
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